The Hindu temple is a vital place for some reasons. This is where Hindu individuals can go to pray and discover peace. From the first century CE another kind of love known as Bhakti or reverential Hinduism spread over the Indian sub-mainland, and the old Vedic divine beings were supplanted in significance by gods like Shiva, Vishnu, Krishna, Brahma, and Devi. These divine beings would turn into the focal figures of Hinduism and their love required temples where the committed could offer their thanks and uncover their desires for a superior life. Structures were built which could house a holy image of a specific god, which could be designed with sculptural figures of them so reviewing scenes from their legendary undertakings, and which gave a space to admirers to leave contributions and perform customs, for example, showering and moving by proficient female artists (devadasi).
The temple was viewed as the residence of a specific god (devalaya). It was, along these lines, a sacrosanct place (tirtha) where paradise and earth meet and, as a god’s home, it must be a reasonably breathtaking castle (prasada). Architecture has evolved in various ways in different parts of the world over the long period of time since the very beginning.
The two general types of architecture are identified as Nagara of the Northern region and Dravida of the southern region. Nagara temples have their unique characteristics, for example their sikhara towers have decorative arches such as gavakshas and topped by the amalaka. In the walls of the nagara temples we can find complex designs known as ratha which create small spaces with the wall. On the other hand Dravida temples also have their unique characteristics, the towers have their own dome like features. The Dravida walls have tablets which are sculptured.
Other temples like the south Indian temples also contain extra features like a bathing pool, some temples have roofs known as shala which are enclosed in a courtyard with a gate. The temple is exceedingly representative and may even be viewed as a giant murti. The drove venerate additionally reinforces this relationship by going about as a go between the admirer and God enabling them to join together. It is not necessarily the case that the main place to meet with God is the sanctuary, Hindus trust God is all over the place and in all things, in that capacity one can meet with him whenever.
Be that as it may, the temple is where the main spotlight is on God, it enables the admirer to be free of the diversions of their regular daily existence. The high focal overshadow the focal territory is frequently representative of Mount Kailash, a piece of the Himalayas (thought about the home of the Gods). The floor plan is frequently thought to be emblematic of God resting while the vertical building is God standing. This promotes their potential as murtis. It is felt that God is blessed in the dividers, particularly in the garbha-griha making it an exceptionally sacred and otherworldly place.