"Seven Samurai (1954)" Movie Review Essay & Film Analysis

Costumes and historical dramas samurai lie at the origins of the Japanese cinema: they before the war formed the basis of rental, and after the Second World experienced a new youth, enriched kinopriomami that brought a second wave of westernization. The 50th annual filmed more than one hundred representatives of the genre, but the lion's share of them was superficial stamping and by and large, only one band was able to gain the upper hand in an unequal battle with time. The American occupation has had a strong influence on Japanese cinema and in particular Kurosawa, the establishment of creativity that came just at the heavy post-war years. In the 1954th his "Seven Samurai" became one of the first Japanese films have received recognition in the West, demonstrating a unique fusion of Japanese culture, the American kinoopyta and innovative genius director. He revived the genre by writing achievements westerns category added depth in the flat before the militants and eventually brought them to a new level, having set up quality standards for height, reach which later failed one. Inspired filmed excerpt Japanese history became a film-cosmopolitan, though not repeat the success of "Rashomon," but who had popularity abroad largely because Kurosawa in the spirit of his people took over the West better, weaving it into the national canvas. Fascinating story, spectacular battle, a little ridiculous, but realistic choreography and masterful montage merged to create one of the most recognizable paintings in history.
tape could not see the light, fold in Kurosawa's screenplay about a day in the life of the samurai. But he stubbornly folding, pushing to another plot of six hungry soldiers who risked their lives to help the peasants to defend from the bandits. Seventh, as well as in the film, was taken at the last moment. Toshiro Mifune retrained from severe and laconic master sword drunkenness impostor overcomes internal contradictions. This role is enriched excessively restrained action of the original script, adding to its bright emotions, humor and more a dramatic formation. A story about a particular Samurai shortly describe Masaki Kobayashi in its "Harakiri" stuffy in space-lives of soldiers nobles, which is particularly clearly revealed degeneracy busido principles trampling military honor, exposing internal causes degradation class. In "Seven Samurai" is shown external causes, when war and strife threw the small nobility on the side of life. Veteran Kambey represents samurai, old and tired, but the true principles. All seven were ronin - masterless poor soldiers and a conditional contract with farmers allowed them to once again feel like a samurai, to commit an act worthy of this proud title. But their feat - the swan song: the whole military estate goes into oblivion - honored traditions, skills. But to remain unbeaten and diehard farmers, slurp that sorrow from droughts and floods by the rulers and the thugs. They are ignorant and submissive, and yet for the most part they do not lose.
image of peasants exhaustively passed to the sparkling monologue Kikutio, inside gut-wrenching character hiding behind a mask of boldness and bravado. Farmers - liars, schemers and cowards, they belong to the samurai with fearful reverence with which the sheep are sheep-dogs, wolves drives away from the herd. They remember that the Shepherd can also kill. They are afraid of the bandits, but have mastered the tactics of "all for one". Farmers are able to kill when the team spirit overpowers the fear of the enemy. Salt of the earth, as they say about them, but their wounds and weaknesses need to hide away from the salt. And they lived, peasants and samurai, in perpetual undeclared war. This subtext adds tensions defenders and victims: it is not a symbiosis and cooperation. Ronin used and discarded in the dustbin of history without shedding tears over them. Martial courage and dignity lose value, but not in the nobility men's souls, and in the eyes of society. These qualities are not necessary when all is well, nothing to fear, and maturing rice in the dam. And brewing a new time, without honor and valor, the world of gunpowder and guns. No wonder only heroes died from gun shots - proof that they have no equal, and the time establishes new rules to whom the covenants of the samurai too vulnerable in the traditional rivalry. The film is clearly visible anti-militarist message, which was steeped in the movies of those years. The very plot of the poor, but brave soldiers - not only sad look back in time the samurai, but also a farewell to the army, which Japan lost in 1945th. Samurais are no longer needed. Warriors century is not long, and the peasants will always be - a greedy, weak-willed, silly, vseterpyaschie, all-conquering.

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