A Moor, and an officer inside Venetian military. He falls in deep love with, and marries, the delicate Desdemona though he's middle-aged, and she actually is nevertheless young. Othello is bold and a good warrior, but he's a good man undone by their two main failings — envy and pride. Although Othello is very eloquent, he believes his ways and terms are both rough.
Othello's wife, a Venetian girl of high birth and good breeding. Desdemona is almost overly virtuous, that causes the girl to believe she must protect Cassio, and speak in a public sphere when necessary. This woman is stronger than Othello believes the lady become, and it is perhaps not the personal, withdrawn, meek woman he wish she had been.
Othello's lieutenant, though he's small industry experience. Cassio is a smooth-talking Venetian courtier, the alternative of Othello in several respects, which is the reason why Othello admires him. Othello is resulted in believe Cassio has already established an affair together with spouse, though Cassio has only honorable intentions toward Desdemona.
Othello's ensign who was simply passed away over the lieutenant position in favor of Cassio. Iago is young and treacherous; he's a villain right away, and although he cites their wounded pride and Othello's alleged infidelity along with his spouse Emilia, his actions are without justification. He could be immoral, but really perceptive, keen, and able to manipulate individuals into falling for his deceptions.
Iago's wife, and Desdemona's handmaiden. This woman is entrusted with bringing people into Desdemona's presence, sticking to the lady all the time, etc. Emilia is not aware of the woman husband's machinations, nor his darker qualities. She stays dedicated to Desdemona above all others, although she unwittingly plays a vital component in Iago's treachery.
Desdemona's dad, a senator and recognized resident of Venice. He's not at all happy by Desdemona's union, and warns Othello that as Desdemona betrayed her dad, she may betray the woman spouse too.
A Venetian who lusts after Desdemona, and thus a tool in Iago's plots. Iago guarantees Roderigo which he shall have Desdemona's love in return for his help; Roderigo in fact receives only a disgraced death after their effort on Cassio's life.
Ruler of the city, and Othello's superior. He enables Othello and Desdemona to remain together despite her dad's protests. The Duke also delivers Othello off to Cyprus to fight the Moors.
Other authority numbers of Venice, and guys of reason and purchase; in addition they help Othello and Desdemona's union, and Othello responses to them plus the Duke in matters of war.
A courtesan whom Cassio visits frequently; Cassio asks her to produce a duplicate of Desdemona's handkerchief, together with fact that the handkerchief is situated in her destination further incriminates Cassio. She is the actual only real female in play whom Cassio shows lower than full respect to, most likely because she's a prostitute.
Pronounces judgment on Iago at the end associated with play, remarks on situation, helping to put the play up. He is the main law and order figure of Cyprus, and functions as damage control after Othello dies, and Iago is proven unfit.
Two Venetian nobles, both of some reference to Desdemona; both play their biggest part after Desdemona has died, and must take the headlines associated with tragedy back again to Venice as officials of the city.