"New Cinema 'Paradiso'" Movie Review Essay & Film Analysis

No matter how many years pass, the moment comes when a person turns to the past in his memoirs. Old images boldly invade the thoughts return to the times, full of hopes, dreams and illusions. Naive children's time, when only one desire, multiplied by the tenacity, could be enough to touch the casing kinoplenochnoy box and feel peace. As a child, Salvatore looked at life through the projector beam. It seemed so obvious, and at any event was the phrase of John Wayne and Henry Fonda. Leaving expensive theater walls, the young man, who affectionately called Toto, looked at the sign "Paradiso." The building is not for nothing that bore the name of paradise - here finds many moments of happiness, we were drawn to him and came back. But somewhere ahead there was another reality - the more severe and less honest, and not away from it. Now, years later, a call of an old friend's death suddenly became a realization is like a dream and happiness went to different parties.
Childhood Giuseppe Tornatore took to the streets of Sicily, and the memory of their native lands have always been for the director so strong that he repeatedly I went here, bringing with them new heroes. On a yellow pavement lived sorrows, trials, anxiety, intrigue, but there was also the hope. It is from her bosom Salvatore fell in love with life, in cinema, in the girl. Needless boy's name meaning "savior", and not by chance on his lean figure soon locked the traditional ideas of the villagers of leisure. A survivor of three births, one real, the cinema "Paradiso" was the director for the hidden artifact, which has incorporated the sadness that life is not as romantic as it had once dreamed. Years rustle like a yellowed photograph of the deceased father of Toto, and somewhere behind remained pesky idea that you have no power over the fate, and she alone decides when to be a new pirouette.
The picture is similar cutting frame of mind, which are stacked in rows harmonious but can not complete any of them. Tornatore directs the young hero, and in fact - of himself, through the maze of confusion, out of which helps other strong hand. Elderly projectionist, Alfredo, whose death and docks for Toto past with the present, like a sage hermit, keep their secrets are not out of greed, but out of charity. The film is drawn bright idea of ​​destructiveness too much immersion in a whirlpool of his dreams. Movie - it's only a movie, no matter how beautiful or too outspoken by the standards of past Italian orders. Any to give his film, according to Signor Giuseppe, doomed to loneliness, even if it is aware of only fifties. It turns out that the beautiful and alluring dream of becoming a real mistress of human life. Not wished for the young Salvatore.
«Paradiso" was filmed at a time when Tornatore paid close attention to reflection. The tape, of course, is full of naive and frivolous, but how else to show a keen sense of the child perceives the world is strictly black and white? Happiness is inseparable from self-sacrifice, and therefore additional to the main plot thread of love line is furnished with a parable, like the ones that used to tell the old man Alfredo. Many can be sacrificed for the sake of a dream come true, assures the director. In fact - everyone, including communication with relatives left behind on a remote island. This self-denial is quite tragic from the ideological point of view, dressed in a form such that the whole picture is seen by chance to hear the story, which is now transmitted by word of mouth and acquires new details. He sought to ensure Tornatore or not, but the conventionality of the film was its main advantage. No wonder then that the director appointment grind to a mirror finish in his "Legend of the Pianist"
. Little tiny room kinobudki symbolizes the idea of ​​the children's happiness, while the fate of the "Paradiso" of the building does not allow to live in the past. None of disappointment or failure of girls can not be compared with the depressing view of the gray ruins, in which one accesses the temple of cinema. Tornatore does not forget to remind the viewer that ephemeral dream, if devoid of practical implementation. There comes a time, and a man down to the ground of the man-made paradise. The question is, what next? Sicilian filmmaker received the award for their memories imprinted in the film, and continued to walk the path of the patriot, each time returning to it after a creative failure. In a sense, the tape "Paradiso" has remained the most successful authorial word. There was no place for a real tragedy, but the death is comparable to the exemption from the prosaic world that is not as simple as it is shown in the movie.

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