"Nausicaa of the Valley of winds" Movie Review Essay & Film Analysis

Nausicaä of the Valley of the Wind or a princess - is a rather colorful characters. For example, it can at one moment to let the tears, but may have just a doomsday plan to prevent the very end. And the heroine is in the nature of a child for about adulthood. And that's all there is a word - Stunning. For it does not say anything definite, such as with today's superheroes. Here few words saying: "it disturbs the forest", but the forest was bothering her, but this is development. But first go to the main talk of the foundation - Nausicaa is and what it is stunning. In general, a piece of paper epizodnika want to say that the princess of their actions pereobul seven times on the fly. For example, a character on the emotions of cuts and tearing everything that moves, and then the risks are for the sake of those who had just tried to kill. And the answer to why the viewer, though unconsciously, but believe in what is happening, you can cite as an example the scene where the master Jupe comes to the hidden room, where the word "hidden" thing. And the scene would have been outstanding if the princess responded like a human. Let's just say when your privacy and can even intimate place comes a stranger, and the reaction will be appropriate, at least Nausicaa was surprised that someone is, but instead full of remorse and openness. And such moments about all over the cartoon. Read more - Princess folds his actions, though slight, but anti-hero, which shows compassion, it gives her humanity and the image of the goddess. In other words, the princess gives where the other-would have taken it by their actions sells his world. In the final result, after the conviction of all adjacent, it sells itself as these beliefs. It's not that it is unique or complex deal in contradictions, which are enclosed in character, proceeding from which is born the conflict -. Inner This conflict I value most so to it organizes actions.. dependence directly to the main character - in this case, Nausicaa. This type of action makes it much easier to identify with the perfect audience. And here is the story, and it turns out not only about the environment, but also about ourselves. As for me the most seductive form of the cinema, which is used by about half, and this emphasis on communicating audience through the subject (ideal viewer). This emphasis can be achieved if the object of observation is present at least two units, as a rule - it is the protagonist and what he opposes, we have it Nausicaa and "reflection" Nausicaa (conditional beta). Simplifying what happens in the viewer and the character of the observed at most resembles symmetry.
attempt to turn the European way of thinking, I watched several times in the movie, but also not to say that it was often. I'm talking about the first attempt to deliver an event of paramount importance than the final, it seems the whole heritage of eastern cinema. For us it's over is not much concerned, but on the whole film with a focus acquire the status of a preacher. This image is also emphasized with a prophecy of the Savior in a blue movie. Well, in the movie there are moments like a dream, but in this context it is the memories that is in fact one and the same. The very plot of the clinical sleep, the foundation of our goddess covers the spot psychological trauma. Conditionally - the girl did not just lose the conditional toy, this toy taken away from her. However, since the beginning of the cartoon character has to be not just the loss of the search, it is located in a certain repetition. I'm talking about the fact that the princess at first glance does nothing, something she had never done before. And in fact probably the way it is, at the beginning of sacrifice, sacrifice in the end, just a different scale. By the way, although it shows the moment with podpevaniem the heroine herself, which the cheerful tunes from this clip of memories does not become easier, then we can talk about the denial. Negation is perhaps here most oppressive factor in the psyche. Nausicaa deftly manages to contact all but himself, so cleverly that it shifts the dialogue on a number of challenges. The heroine never even indirectly throws actions directly to her, she always does it through other objects, especially symbolic of the forest and its contradictions. And yes, I have all this time led to the idea that the forest for Nausicaa is the very
«beta». If you play in the mosaic and add the effects of heroin, speaking of the desire to cinema to the simple, the Princess soon seek to explain that kolliniruetsya prophecy. Here we have and it turns out the image of unearthly creatures, which denies the "beta" (the second) the existence and generally seek to atone for his inherent sin for all humanity, symbolizing at the same time and we viewers. Pessimistic partly interpretation turns out, but it explains in part the viewer's perception as a highly reliable surveillance. It should be clearly understood that the film does not translate the thoughts in the 'foreign'. In the film, the "foreign" character striving to survive reduced to the ultimate weakness of human thought in general, as interfering ideal essentially flourish. Nausicaa also offers a less drastic idea of ​​compromise and repentance guilty. I do not know whether to talk about more complex topics like world without war and the root causes of all human transgressions, just say that here it is, and all. I aim my Tipo reviews - set the measurement of depth and substantive cause of action of the main character, which is difficult to knit in order to what it seeks
Summarizing the end, when I ask, "what do you like Nausicaa?".. I'm not necessarily talking about some kind of goddess, which requires repentance for what she is about the choice of my taste or to explain why the heroine and her desire to put pressure on me so. Moreover, I will be silent about specific things like self-talk in general about the cinema. I can safely, albeit simple answer - "she Stunning." Thereby describing seconds - seconds, simple - simple.

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