Heritage is a broad and complex concept and so no specific definition fits it. It can therefore be defined as that which is evolving from past generations into the present and is carried forward into the future generations. It encompasses the objects and qualities like the cultural believe and traditions passed down from the past generations. It is therefore imperative to focus on its historical nature and its development practices. Every society carries a unique heritage and some choose to carry them forward while others abandon them but either way they both narrate to others their relationship with their past.
Development of heritage is very crucial in the long run. Its advancement has been achieved through the publications on such heritage by experts in the field of heritage studies. Transformation in the medieval sense of heritage has been as a result of various factors such as technological improvements and alteration arising from diversity in what people undergo in various regions among others such as changes due to colonialism.
Heritage is commonly linked to museums studies, professionalism and heritage practitioners who eventually see to the development of heritage and its conservation to the present (Dillmann,P.,Beranger,G.,Piccardo,P.,&Matthiessen,H., 2014, p. 42). Some economists however argue that heritage contributes profusely to restructuring the world economy since 1970s. Apparently understanding the transformations in the world economy requires more elaborate and broad historical analysis which heritage studies cannot portray such as contemplating past simple tracks of the entire lineage.
To prove the viability of current view and practice of heritage we need to take into account the activities that have evolved throughout the entire process. In the current world heritage is filtered from a fictional history that existed in the myths according to various cultures and figures out what is significant to be carried forward to the present and future. Heritage portrays the relationship between the past and the present. Some scholars try to detach within wider advancement of the postmodern society. Today heritage is figured out to be generating from cultural, social and political past.
The heritage industry exploits the original and genuine memories of what people had in the past and uses it in the modern form thereby making them hypocritical in their description. According to Nora the memories of the past has been tampered with and has been replaced by false heritage. This insinuates that there should not be a temporal closure and so heritage should be viewed in its entire evolution and be given a history of its own without tampering with the origin.
Heritage is practiced largely in the pre modern period for example the practice of bonfire celebrations which ritualized through activities like child’s rhyme (Whelan, 2016, p. 13). It can be viewed as a clarification of an older tradition. Various cultures got numerous stories to support their heritage as an instrument of conservation and power. This was important in establishing a close relationship with people which otherwise they could have not achieved. Heritage therefore originates from the past which is again established into the present. Several heritage operations are mimicked in the subsequent so as to incorporate authority.
With all that observation you can conclude that heritage is dynamic and adjust from time to time due to inner dynamics as a result of external demands. The roman example is significant in portraying the growth and evolution of heritage from traditional period to the modern world through symbols being related to the actual remains rather than the historic sites. Finally it is very broad and so can be explored in different perspectives and originates from the ancient time.
Dillmann,P.,Beranger,G.,Piccardo,P.,&Matthiessen,H. (2014). corrision of metallic heritage artefacts:ivestigation,conservation and prediction of long term behaviour (Vol. 48). Elsevier.
Whelan, Y. (2016). Heritage memory and the politics of identity;New perspectives on the cultural landscape. Routledge